First, for this fantastic project, Georges Rousse will design and install his works in SAC from the middle of March to April 2013. During the installation, the process is supposed to be recorded as photographs, which will be mainly put on display in Hangaram Art Museum. Some of the installation pieces including the commemorative work will remain in SAC during the exhibition. Pre-applied volunteers are going to involve the whole installation process. It is expected that this exhibition will provide our audience with unconventional and innovative experience of modern art.

Secondly, his established photographs which he possesses in Paris will be on the exhibition. In his photographs, Georges Rousse compels us to read architecture as static, images as immobile, then gradually transforms our perception of Space and Reality. The final photographic image perturbs our visual habits and convictions by presenting three kinds of space: the real space, where he makes his installations; an imaginary utopian space, which the artist invents and then carefully builds at his chosen site; and a new space that is visible from only one spot when he clicks the camera shutter, and exists only in the photo.

A kind of new experience therefore occurs in the image, a spiritual dimension - a dimension more powerful than reality that comes from appropriating, using and transforming a place before its destruction. This is the experience that comes from Georges Rousse's work.

At last, there will be a various drawings, pictures and videos catching the creative process on. Audience will be able to understand the way how he works with dimensions and lines. The convergence of spaces goes beyond a visual game : Like a hall of mirrors, enigmatic and dizzying, it questions the role of photography as a faithful reproduction of reality; it probes the distances between perception and reality, between imaginary and concrete.